Marble bust of George L. Stearns by Samuel Morse prior to its restoration in 2016. This bust was commissioned in 1879 by Mary Stearns, George's widow, to place in their home on their estate in Medford, Massachusetts.
Attribution:
Morse, Samuel
Attribution Statement:
Image courtesy of the Tufts University Permanent Collection
Card with the A. C. Russell woodcut of the bust of John Brown (by Edward A. Brackett) and a statement by Brown given to George L. Stearns in Medford, 1857: "Mr. Stearns, I consider the Golden Rule and the Declaration of Independence one and inseparable." On the reverse is a handwritten note that the bust was owned by Mrs. Mary Stearns regarding the bust's creation: Wood- cut of the Bust of John Brown in the possession of Mrs. Stearns - the only one in the world. It was taken by her order while awaiting execution in the Virginia Prison, October 1859."
Attribution Statement:
Image courtesy of the West Virginia State Archives, John Brown/Boyd B. Stutler Collection
Photograph of the view towards Medford from East Hall, Tufts College. The Stearns Estate mansion is located in the trees to the middle right. The caption reads, "View toward Medford from East Hall, 1875. The railroad cut is in front of the stonewall in the foreground. The farm house of the Stearns estate is seen in the lower left corner, and the mansion house in the right center. The end chimneys of the Royall House are seen in the center of the picture and, to the left of the house, the pointed object is the summer house that at one time stood on a mound in the Royall garden."
Article titled "The Stearns Estate" by Justin Wyner, describing the 'Stearns Estate, 1899' painting by William Hauk. This article was published on pages 10-11 of the Spring 1945 edition of the Tuftonian. A black and white copy of the painting was featured on the front cover.
Letter from Edward A. Brackett to George L. Stearns that reads, "My Dear Sir What do you think about taking a bust of old Brown. Can any thing be done about it. I shall be at my rooms till a quarter past 2 o'clock and should like to know what you think about it. Yours with regard, E.A. Brackett."
Attribution:
Brackett, Edward Augustus
Attribution Statement:
Image courtesy of the West Virginia State Archives, John Brown/Boyd B. Stutler Collection
View of the Stearns Estate and beyond that Medford from College Hill. The Stearns Estate mansion is located in among the trees in the lower left quadrant. The caption reads, "The Medford view in '74. This is somewhat to the east of the one above which brings the Stearns house near the left of the picture. The Royall House is the building with four end chimneys near the center of the picture. In the lower right hand corner the tower of the old Stearns windmill is barely visible."
The busts of John Brown (by Edward A. Brackett) and George L. Stearns (by Samuel Morse) on display in the Tisch Library at Tufts University in 2017. Photograph taken August 16, 2017.
Letter from John Brown written to George L. Stearns from Tabor, Iowa. The letter is dated August 10, 1857. Brown wrote, "I am in immediate want of from Five Hundred to One Thousand Dollars for secret service & no questions asked."
Attribution:
Brown, John
Attribution Statement:
Courtesy of the National Portrait Gallery, Smithsonian Institution
Bronze plaque memorializing George Luther Stearns, located in the Doric Hall of the Massachusetts State House in Boston. The plaque was purchased by lawmakers under Res. 1897, ch. 72. It reads: "In Memoriam: George Luther Stearns. A merchant of Boston who illustrated in his life and character the nobility and generosity of citizenship. Giving his life and fortune for the overthrow of slavery and the preservation of free institutions. To his unresting devotion and unfailing hope, Massachusetts owes the Fifty-fourth and Fifth-fifth Regiments of colored infantry, and the federal government ten thousand troops, at a critical moment in the great war. In the darkest hour of the republic, his faith in the people never wavered. Of him Whittier wrote: 'No duty could overtax him; no need his will outrun; Or ever our lips could ask him; His hands the work had done. A man who asked not to be great; But as he served and saved the state.' Born in Medford, Massachusetts, January 8, 1809. Died April 9, 1867."
Page on which are reproductions of photographs of John Brown's Northern Supporters, known as the Secret Six: George L. Stearns, Gerrit Smith, Frank B. Sanborn, T. W. Higginson, Theodore Parker and Samuel G. Howe. This six funded John Brown's raid on Harpers Ferry.
Attribution Statement:
Image courtesy of the West Virginia State Archives, John Brown/Boyd B. Stutler Collection.
Program for the dedication ceremonies of the Stearns Estate marker in front of Cousens Gymnasium, held April 8, 1987. The dedication consisted of several speakers and a performance of "Mine Eyes Have Seen the Glory" ("Battle Hymn of the Republic," sung to the tune of "John Brown's Body") by Julia Ward Howe of Medford.
Pike said to be one of the 954 pikes purchased by John Brown (with funds provided by George L. Stearns) for the attack at Harper's Ferry. The label associated with the object reads "Col. Stearns Estate, John Brown's pike." Whether the pike is truly one of the 954 is unknown; its previous whereabouts were not recorded.
Attribution Statement:
Courtesy of the Medford Historical Society & Museum
Photograph of Major George Luther Stearns in his military uniform. Stearns received his rank while serving as "Recruiting Commissioner for the U.S. Colored Troops" for the War Department in 1863.
Attribution Statement:
Image courtesy of the West Virginia State Archives, John Brown/Boyd B. Stutler Collection
A page from the 1937 inventory of artworks at Tufts College, showing that the busts of John Brown and George L. Stearns were on display in the Eaton Library.
Cabinet card featuring the John Brown bust owned by Mary E. Stearns. This cabinet card was printed by Litchfield Studios in Arlington, MA. A handwritten note on the back of the card reads, "John Brown. From the Bust taken while awaiting Execution in the Virginia Prison, by order of Mrs. George L. Stearns, October 1859. This is the only marble Bust of the Martyr, at present writing - 1919 - in the world. It was only secured by the earnest entreaty of Mrs. Stearns, for whom, and his faithful friend Mr. Stearns, he cherished warm regard. E. A. Brackett, Sculptor."
Excerpt from the will of Mary E. Stearns, 1901. She dictates that a third part each of her remaining estate holdings should be given to Hampton Normal and Agricultural Institute, Berea College, and Tuskegee College, for "The George L. Stearns Memorial Fund of [that College]" for the purpose of "promoting in those several institutions the education and elevation of the youth of the South, and especially of the youth of the colored race, in whose interest and welfare my deceased husband George L. Stearns ever felt such a profound interest and to which he gave such devoted service."
Portrait of Major George L. Stearns with his signature, taken in his military recruiter uniform. The portrait was taken by the Pack Brothers of Cambridge, MA, in 1863.
Attribution:
Pack Brothers
Attribution Statement:
Courtesy of the Medford Historical Society & Museum
The busts of John Brown (by Edward A. Brackett) and George L. Stearns (by Samuel Morse) on display in the Tisch Library. Photograph taken August 16, 2017.
This painting shows the Stearns mansion in the center right and the farmhouse to the far right. In the distance on the hill are the buildings of Tufts College, with the tower of Goddard Chapel, East Hall, and West Hall visible through the trees. The road to the left is College Avenue; at the time it was known as the Willows because of the trees on either side. At the corner of College Avenue and the railroad tracks is College Hill train station. The Boston & Lowell Railroad operated on the tracks that separated Tufts College from the Stearns Estate's orchards.
Attribution:
William Hauk
Attribution Statement:
Image courtesy of the Tufts University Permanent Collection
Poem by John Greenleaf Whittier memorializing the life of George Luther Stearns after his death. Published in the Atlantic Montly, June 1867, pp. 707-708. (Note: The pages have been combined into a single image.)
Excerpts from the handwritten will of Mary E. Stearns, who died in December 1901. The excepts itemize a number of specific objects in her house that she would like to be donated to Tufts College after her sons are finished with them. The text reads, "Also to hold for the use and enjoyment of the said Henry during his life the following described articles of personal property situated in the house where I now reside namely: my tall "grandfather's clock" on the front stairway, the "highboy," the cabinet, the tripod table, the old English mirror, all the old-fashioned chairs which belonged to my deceased husband, the bust of John Brown, the bust of George L. Stearns, the bust of Beethoven, the bust of Emerson, the bust of Clytie, the Venus of Milo, and the several paintings painted by my old friend Christopher P. Cranch, excepting only the one hereinbefore given to Lenora Cranch Scott, said articles all to be kept, preserved and used by him during his life in the house where I now live and not elsewhere."
Grave monument for the George L. Stearns at Mount Auburn Cemetery in Cambridge, MA. The text reads, "George Luther Stearns. The virtues of this rare man were celebrated at this death by the eloquence of Emerson, and in the poetry of Whittier. An unexampled honor, in his time he sheltered the exiled Hungarians together with John Brown. He saved Kansas to freedom. Almost alone in 1863 he organized the colored regiments, which turned the scale in favor of the Union cause. He expended a fortune in public and private benefactions." Photograph taken in August 2017.
A list of objects to be delivered to Fine Arts Express by the Tufts University Gallery in September 1998. The first two in the list are the busts of John Brown and George L. Stearns, at that point identified only as "Bust of a bearded man" and "Bust of a man."
Attribution Statement:
Courtesy of the Tufts University Permanent Art Collection