Map of Tufts College in 1938. In the lower right corner, you can see the new Cousens Gym north of College Avenue the rest of the undeveloped Stearns Estate. The building to the west of Cousens Gym was originally College Station, but at this time it had been home to Tufts University Press for some time.
Map of Tufts College in 1929, less than a decade after the Stearns mansion was torn down. In the lower right is College Avenue, labeled "To Willows + Medford," referring to the street's nickname. Arrows also indicate that the Site for New Gym and the Tufts College Press are located to the right of the railroad.
View towards Medford Square from the top of College Hill (Tufts College), ca. 1910. The tree-lined Avenue stretching left to right is College Avenue, also known as The Willows. The Boston & Maine Railroad parallels the bottom of the image, with College Hill Station appearing at the bottom left. Behind the station is Pansy Park, a pansy nursery. To the left of Pansy Park is property belonging to the Stearns Estate. Across College Avenue are the clay pits.
Photograph of Eaton Hall in the winter in 1950. Eaton Hall served as the library from its construction in 1908 until the construction of Wessell Library in 1964. The busts of John Brown and George L. Stearns were at one point on exhibit here at one point..
View of College Hill and Tufts College from the Stearns Estate across the railroad tracks to the east. The buildings are, left to right: East Hall, Ballou Hall, Packard Hall, and West Hall.
Photograph of Ballou Hall, the first building on the campus of Tufts College, 6 years after it was opened. Until East Hall was constructed in 1860, Ballou Hall was the college's only building and it provided space for classrooms, a dormitory, a chapel, and a library. Originally called simply College Hall, Ballou Hall was renamed after named after Hosea Ballou II, the college's first president.
Black-and-white photograph of an untitled oil-on-board painting known as "College Hill from Medford," attributed to Benjamin Champney, ca. 1865 (Tufts University Permanent Collection AI 07400). The painting shows the Paul Curtis house and Ballou Hall of Tufts College in the distance, as seen from north of the Mystic River, ca. 1855.
Goddard Chapel soon after it was constructed on the campus of Tufts College, 1883. By the end of the 19th century, a plaque commemorating Dr. Edwin Hubbell Chapin had been placed inside the chapel, where it remains today.
Photograph of College Station at the corner of the Boston & Maine Railroad (foreground) and College Avenue (left). When the new Tufts College Station was built to the south, this building became occupied by Tufts College Press.
Letter written by John Brown in his jail cell a few days before his execution. The original letter was given to Mary Ann Brown at the time of her visit to her husband December 1, 1859. After his execution, Mrs. Brown sent the letter to Mrs. Stearns in a Bible. The letter reads: "Charlestown, Jefferson Co., Va., 29th Nov. 1859. Mrs George L Stearns, Boston, Mass. My Dear friend, No letter I have received since my imprisonment here, has given me more satisfaction, or comfort: than yours of the 8th inst. I am quite cheerful: & was never more happy. Have only time [to] write you a word. May God forever reward you & all yours. My love to All who love their neighbours. I have asked to be spared from having any mock; or hypocritical prayers made over me, when I am publicly murdered: & that my only religious attendants be poor little, dirty, ragged, bare headed & barefooted, Slave Boys; & Girls; Led by some old greyheaded, Slave Mother. Farewell. Farewell. Your Friend, John Brown."
Attribution:
Brown, John
Attribution Statement:
Image courtesy of the West Virginia State Archives, John Brown/Boyd B. Stutler Collection
Map of Tufts College showing buildings present in 1932 and possible sites of future buildings. In the lower right quadrant, note the presence of the Physical Education Building (Cousens Gymnasium) and possible future additions northwest of College Avenue, as well as a large plot of the Stearns Estate yet undeveloped. In 15 years, this property would be home to Stearns Village.
Attribution:
College Architects: Andrews, Jones, Biscoe & Whitmore
Cabinet card featuring the John Brown bust owned by Mary E. Stearns. The photograph used for the card was printed by W. Shaw Warren of Cambridgeport, Cambridge, MA.
Attribution:
Warren, W. Shaw
Attribution Statement:
The Miriam and Ira D. Wallach Division of Art, Prints and Photographs, Photography Collection, The New York Public Library
Ballou's Pictorial, printed by M. M. Ballou in Boston, Saturday, October 11, 1856 (Vol. XI, No. 15). The front page article shows a sketch of Tufts College (Ballou Hall) and a short article about the first anniversary of the Universalist Tufts College, quoting Dr. Edwin H. Chapin.
Marble bust of Robert Gould Shaw sculpted by Edmonia Lewis, 1864. On the base it reads "Martyr for Freedom." About a hundred plaster copies of this bust were sold in 1864.
Attribution:
Lewis, Edmonia
Attribution Statement:
Image courtesy of the Museum of African American History, Boston and Nantucket, Massachusetts, USA
Bust of Charles Sumner by Edward Augustus Brackett.
Attribution:
Brackett, Edward Augustus
Attribution Statement:
Courtesy of the Harvard University Portrait Collection, Gift by subscription to Harvard College, 1858. Image ยฉ Presidents and Fellows of Harvard College.
Lock of John Brown's hair. The tags read "Hair of John Brown of Ossawatomie, given to me by Mrs. Stearns, 1869 -L. Alexander," "John Brown's hair, cut off of his funeral by his daughter, given by her to Mrs. G.L. Stearns, by Mrs. Stearns to me, L.G.A."
Attribution Statement:
Courtesy of the Medford Historical Society & Museum
Letter from Lydia Maria Child in Wayland, MA, to John Brown while in prison, October 26, 1859. (Note: The front and back page of this letter have been placed side by side.) In the letter, she decries Brown's violence, but assures him "that no honest man ever shed his blood for freedom in vain, however much he may be mistaken in his efforts."
Attribution:
Child, Lydia Maria
Attribution Statement:
Image courtesy of kansasmemory.org, Kansas State Historical Society, Copy and Reuse Restrictions Apply
Oil on board painting of College Hill from across the Mystic River in Medford, pictured around 1856. The building on top of the hill is Ballou Hall, the first building of Tufts College. The white house in the foreground is the Paul Curtis House, which is said to be the house mentioned in Lydia Maria Child's poem "Over the River and Through the Woods." The Mystic River is in front of the Curtis house and is home to an old shipyard, possibly the Curtis shipyard.
Attribution:
Champney, Benjamin (attributed)
Attribution Statement:
Image courtesy of Tufts University Permanent Collection, AI 07400
A map of Tufts College about ten years after it opened, from a map drawn by Charles E. Fay, with a key to the buildings given below the map. Note College Hill Station (building W) at the corner of the Boston & Lowell Railroad and College Avenue leading to the Stearns Estate just off the edge of the map. This map appeared on page 148 of The Tuftonian, Vol. 2, No. 4 (May 1942).
Marble bust of George L. Stearns by Samuel Morse prior to its restoration in 2016. This bust was commissioned in 1879 by Mary Stearns, George's widow, to place in their home on their estate in Medford, Massachusetts.
Attribution:
Morse, Samuel
Attribution Statement:
Image courtesy of the Tufts University Permanent Collection
Marble medallion of the abolitionist Wendell Phillips, sculpted by Edmonia Lewis. The John Brown medallions she made some seven years earlier may have appeared similar.
Attribution:
Lewis, Edmonia
Attribution Statement:
Courtesy of the National Portrait Gallery, Smithsonian Institution
Card with the A. C. Russell woodcut of the bust of John Brown (by Edward A. Brackett) and a statement by Brown given to George L. Stearns in Medford, 1857: "Mr. Stearns, I consider the Golden Rule and the Declaration of Independence one and inseparable." On the reverse is a handwritten note that the bust was owned by Mrs. Mary Stearns regarding the bust's creation: Wood- cut of the Bust of John Brown in the possession of Mrs. Stearns - the only one in the world. It was taken by her order while awaiting execution in the Virginia Prison, October 1859."
Attribution Statement:
Image courtesy of the West Virginia State Archives, John Brown/Boyd B. Stutler Collection
Photograph of the view towards Medford from East Hall, Tufts College. The Stearns Estate mansion is located in the trees to the middle right. The caption reads, "View toward Medford from East Hall, 1875. The railroad cut is in front of the stonewall in the foreground. The farm house of the Stearns estate is seen in the lower left corner, and the mansion house in the right center. The end chimneys of the Royall House are seen in the center of the picture and, to the left of the house, the pointed object is the summer house that at one time stood on a mound in the Royall garden."
Oil on canvas painting of John Brown on the way to his execution on December 2, 1859. Brown, still injured from the failed raid at Harpers Ferry, was said to have kissed the head of a black baby on his way to the gallows.
Attribution:
Hovenden, Thomas
Attribution Statement:
Courtesy of the Metropolitan Museum of Art, Gift of Mr. and Mrs. Carl Stoeckel, 1897
Article titled "The Stearns Estate" by Justin Wyner, describing the 'Stearns Estate, 1899' painting by William Hauk. This article was published on pages 10-11 of the Spring 1945 edition of the Tuftonian. A black and white copy of the painting was featured on the front cover.
Photograph of Edward N. Hallowell when he was a captain in the 20th Massachusetts Infantry Regiment. He later became the commander of the 54th Massachusetts Infantry Regiment.
Letter from Edward A. Brackett to George L. Stearns that reads, "My Dear Sir What do you think about taking a bust of old Brown. Can any thing be done about it. I shall be at my rooms till a quarter past 2 o'clock and should like to know what you think about it. Yours with regard, E.A. Brackett."
Attribution:
Brackett, Edward Augustus
Attribution Statement:
Image courtesy of the West Virginia State Archives, John Brown/Boyd B. Stutler Collection
View of the Stearns Estate and beyond that Medford from College Hill. The Stearns Estate mansion is located in among the trees in the lower left quadrant. The caption reads, "The Medford view in '74. This is somewhat to the east of the one above which brings the Stearns house near the left of the picture. The Royall House is the building with four end chimneys near the center of the picture. In the lower right hand corner the tower of the old Stearns windmill is barely visible."
Holiday card from the Fletcher School dean Jack Galvin and his wife Ginny. At the time they were living in the Paul Curtis House at 114 South Street, Medford, which was owned by Tufts University. (Note: The images of this card have been digitally rearranged.)
Perhaps the first publication of the text of the "John Brown Song," with the notation at the bottom reading, "From an Original in the Possession of Mr. Abram E. Cutter of Charlestown." Republished in George Kimball, "Origin of the John Brown Song", New England Magazine, vol. 7, no. 4 (1889), 374.
Photograph of Norwood Penrose Hallowell while he was a captain in the 20th Massachusetts Infantry Regiment. He later became the commander of the 55th Massachusetts Infantry Regiment.
