A map of Tufts College about ten years after it opened, from a map drawn by Charles E. Fay, with a key to the buildings given below the map. Note College Hill Station (building W) at the corner of the Boston & Lowell Railroad and College Avenue leading to the Stearns Estate just off the edge of the map. This map appeared on page 148 of The Tuftonian, Vol. 2, No. 4 (May 1942).
Marble bust of George L. Stearns by Samuel Morse prior to its restoration in 2016. This bust was commissioned in 1879 by Mary Stearns, George's widow, to place in their home on their estate in Medford, Massachusetts.
Attribution:
Morse, Samuel
Attribution Statement:
Image courtesy of the Tufts University Permanent Collection
Marble medallion of the abolitionist Wendell Phillips, sculpted by Edmonia Lewis. The John Brown medallions she made some seven years earlier may have appeared similar.
Attribution:
Lewis, Edmonia
Attribution Statement:
Courtesy of the National Portrait Gallery, Smithsonian Institution
Card with the A. C. Russell woodcut of the bust of John Brown (by Edward A. Brackett) and a statement by Brown given to George L. Stearns in Medford, 1857: "Mr. Stearns, I consider the Golden Rule and the Declaration of Independence one and inseparable." On the reverse is a handwritten note that the bust was owned by Mrs. Mary Stearns regarding the bust's creation: Wood- cut of the Bust of John Brown in the possession of Mrs. Stearns - the only one in the world. It was taken by her order while awaiting execution in the Virginia Prison, October 1859."
Attribution Statement:
Image courtesy of the West Virginia State Archives, John Brown/Boyd B. Stutler Collection
Photograph of the view towards Medford from East Hall, Tufts College. The Stearns Estate mansion is located in the trees to the middle right. The caption reads, "View toward Medford from East Hall, 1875. The railroad cut is in front of the stonewall in the foreground. The farm house of the Stearns estate is seen in the lower left corner, and the mansion house in the right center. The end chimneys of the Royall House are seen in the center of the picture and, to the left of the house, the pointed object is the summer house that at one time stood on a mound in the Royall garden."
Oil on canvas painting of John Brown on the way to his execution on December 2, 1859. Brown, still injured from the failed raid at Harpers Ferry, was said to have kissed the head of a black baby on his way to the gallows.
Attribution:
Hovenden, Thomas
Attribution Statement:
Courtesy of the Metropolitan Museum of Art, Gift of Mr. and Mrs. Carl Stoeckel, 1897