Goddard Chapel soon after it was constructed on the campus of Tufts College, 1883. By the end of the 19th century, a plaque commemorating Dr. Edwin Hubbell Chapin had been placed inside the chapel, where it remains today.
Photograph of College Station at the corner of the Boston & Maine Railroad (foreground) and College Avenue (left). When the new Tufts College Station was built to the south, this building became occupied by Tufts College Press.
Map of Tufts College showing buildings present in 1932 and possible sites of future buildings. In the lower right quadrant, note the presence of the Physical Education Building (Cousens Gymnasium) and possible future additions northwest of College Avenue, as well as a large plot of the Stearns Estate yet undeveloped. In 15 years, this property would be home to Stearns Village.
Attribution:
College Architects: Andrews, Jones, Biscoe & Whitmore
Oil on board painting of College Hill from across the Mystic River in Medford, pictured around 1856. The building on top of the hill is Ballou Hall, the first building of Tufts College. The white house in the foreground is the Paul Curtis House, which is said to be the house mentioned in Lydia Maria Child's poem "Over the River and Through the Woods." The Mystic River is in front of the Curtis house and is home to an old shipyard, possibly the Curtis shipyard.
Attribution:
Champney, Benjamin (attributed)
Attribution Statement:
Image courtesy of Tufts University Permanent Collection, AI 07400
A map of Tufts College about ten years after it opened, from a map drawn by Charles E. Fay, with a key to the buildings given below the map. Note College Hill Station (building W) at the corner of the Boston & Lowell Railroad and College Avenue leading to the Stearns Estate just off the edge of the map. This map appeared on page 148 of The Tuftonian, Vol. 2, No. 4 (May 1942).
Article titled "The Stearns Estate" by Justin Wyner, describing the 'Stearns Estate, 1899' painting by William Hauk. This article was published on pages 10-11 of the Spring 1945 edition of the Tuftonian. A black and white copy of the painting was featured on the front cover.