"John Brown and the Colored Child," a poem by Lydia Maria Child, published in Freedmen's Book (Boston: Fields, Osgood, & Co., 1869), page 241-242. It had originally been published in The Liberator as "The Hero's Heart" (1860). The text is as follows: "A winter sunshine, still and bright, / The Blue Hills bathed with golden light, / And earth was smiling to the sky, / When calmly he went forth to die. / Infernal passions festered there, / Where peaceful Nature looked so fair; / [5] And fiercely, in the morning sun, / Flashed glitt'ring bayonet and gun. / The old man met no friendly eye, / When last he looked on earth and sky; / [10] But one small child, with timid air, / Was gazing on his hoary hair. / As that dark brow to his upturned, / The tender heart within him yearned; / And, fondly stooping o'er her face, / [15] He kissed her for her injured race. / The little one she knew not why / That kind old man went forth to die; / Nor why, 'mid all that pomp and stir, / He stooped to give a kiss to her. / [20] But Jesus smiled that sight to see, / And said, "He did it unto me." / The golden harps then sweetly rung, / And this the song the angels sung: / 'Who loves the poor doth love the Lord; / [25] Earth cannot dim thy bright reward: / We hover o'er yon gallows high, / And wait to bear thee to the sky.'"
A page from the 1937 inventory of artworks at Tufts College, showing that the busts of John Brown and George L. Stearns were on display in the Eaton Library.
Cabinet card featuring the John Brown bust owned by Mary E. Stearns. This cabinet card was printed by Litchfield Studios in Arlington, MA. A handwritten note on the back of the card reads, "John Brown. From the Bust taken while awaiting Execution in the Virginia Prison, by order of Mrs. George L. Stearns, October 1859. This is the only marble Bust of the Martyr, at present writing - 1919 - in the world. It was only secured by the earnest entreaty of Mrs. Stearns, for whom, and his faithful friend Mr. Stearns, he cherished warm regard. E. A. Brackett, Sculptor."
Etching appearing in Harper's Weekly of the 55th Massachusetts Infantry Regiment singing "John Brown's Body." The caption reads, "'Marching on!--The Fifty-fifth Massachusetts Colored Regiment Singing John Brown's March in the Streets of Charleston, February 21, 1865.--[See page 172.]"
The busts of John Brown (by Edward A. Brackett) and George L. Stearns (by Samuel Morse) on display in the Tisch Library. Photograph taken August 16, 2017.
Photograph of Brackett's bust of John Brown showing a 3D-printed plastic replacement nose. With the plastic nose, conservators were able to make a cast and then a new plaster nose. This photograph was taken in 2016 as the bust was being restored.
Attribution:
Brackett, Edward Augustus
Attribution Statement:
Image courtesy of the Tufts University Permanent Collection
A tech from 3D Printsmith 3D-scanning both the damaged bust of John Brown and an undamaged plaster copy from the Boston Athenaeum. This was done in order to prepare an exact, 3D-printed copy of the nose and eyebrow for the damaged bust. This photograph was taken in May 2016.
Attribution Statement:
Image courtesy of the Tufts University Permanent Collection
Photograph of Brackett's bust of John Brown showing damage to nose and eyebrow. This photograph was taken in May 2016 prior to the bust's complete restoration.
Attribution:
Brackett, Edward Augustus
Attribution Statement:
Image courtesy of the Tufts University Permanent Collection
A list of objects to be delivered to Fine Arts Express by the Tufts University Gallery in September 1998. The first two in the list are the busts of John Brown and George L. Stearns, at that point identified only as "Bust of a bearded man" and "Bust of a man."
Attribution Statement:
Courtesy of the Tufts University Permanent Art Collection