Cabinet card featuring the John Brown bust owned by Mary E. Stearns. The photograph used for the card was printed by W. Shaw Warren of Cambridgeport, Cambridge, MA.
Attribution:
Warren, W. Shaw
Attribution Statement:
The Miriam and Ira D. Wallach Division of Art, Prints and Photographs, Photography Collection, The New York Public Library
Marble bust of Robert Gould Shaw sculpted by Edmonia Lewis, 1864. On the base it reads "Martyr for Freedom." About a hundred plaster copies of this bust were sold in 1864.
Attribution:
Lewis, Edmonia
Attribution Statement:
Image courtesy of the Museum of African American History, Boston and Nantucket, Massachusetts, USA
Marble bust of George L. Stearns by Samuel Morse prior to its restoration in 2016. This bust was commissioned in 1879 by Mary Stearns, George's widow, to place in their home on their estate in Medford, Massachusetts.
Attribution:
Morse, Samuel
Attribution Statement:
Image courtesy of the Tufts University Permanent Collection
Marble medallion of the abolitionist Wendell Phillips, sculpted by Edmonia Lewis. The John Brown medallions she made some seven years earlier may have appeared similar.
Attribution:
Lewis, Edmonia
Attribution Statement:
Courtesy of the National Portrait Gallery, Smithsonian Institution
The busts of John Brown (by Edward A. Brackett) and George L. Stearns (by Samuel Morse) on display in the Tisch Library at Tufts University in 2017. Photograph taken August 16, 2017.
Bronze plaque memorializing George Luther Stearns, located in the Doric Hall of the Massachusetts State House in Boston. The plaque was purchased by lawmakers under Res. 1897, ch. 72. It reads: "In Memoriam: George Luther Stearns. A merchant of Boston who illustrated in his life and character the nobility and generosity of citizenship. Giving his life and fortune for the overthrow of slavery and the preservation of free institutions. To his unresting devotion and unfailing hope, Massachusetts owes the Fifty-fourth and Fifth-fifth Regiments of colored infantry, and the federal government ten thousand troops, at a critical moment in the great war. In the darkest hour of the republic, his faith in the people never wavered. Of him Whittier wrote: 'No duty could overtax him; no need his will outrun; Or ever our lips could ask him; His hands the work had done. A man who asked not to be great; But as he served and saved the state.' Born in Medford, Massachusetts, January 8, 1809. Died April 9, 1867."
Shipwrecked Mother and Child, a well-known and controversial marble sculpture by Edward Augustus Brackett, 1851. The piece was inspired by the drowning of renowned feminist and transcendentalist Margaret Fuller and her family off of Long Island in 1850.
Attribution:
Brackett, Edward Augustus
Attribution Statement:
Courtesy of the Worcester Art Museum, Gift of Edward Augustus Brackett.
A page from the 1937 inventory of artworks at Tufts College, showing that the busts of John Brown and George L. Stearns were on display in the Eaton Library.
Cabinet card featuring the John Brown bust owned by Mary E. Stearns. This cabinet card was printed by Litchfield Studios in Arlington, MA. A handwritten note on the back of the card reads, "John Brown. From the Bust taken while awaiting Execution in the Virginia Prison, by order of Mrs. George L. Stearns, October 1859. This is the only marble Bust of the Martyr, at present writing - 1919 - in the world. It was only secured by the earnest entreaty of Mrs. Stearns, for whom, and his faithful friend Mr. Stearns, he cherished warm regard. E. A. Brackett, Sculptor."
The busts of John Brown (by Edward A. Brackett) and George L. Stearns (by Samuel Morse) on display in the Tisch Library. Photograph taken August 16, 2017.
Graves monument for Reverend Hosea Ballou at Mount Auburn Cemetery in Cambridge, MA. It was sculpted by Edward Augustus Brackett. This photograph was taken in August 2017.
Bronze relief by Augustus Saint-Gaudens commemorating Colonel Robert Gould Shaw and the 54th Massachusetts Infantry Regiment, the first formally recognized black regiment in the Union. The Memorial is borders the Boston Common and Beacon Street across from the front steps of the Massachusetts State House in Boston. The memorial took the artist 13 years to complete. It was dedicated on May 31, 1897. Visible in the upper corner are the Latin words "Omnia relinquit servare rempublicam," which translates to "He relinquished everything to serve the Republic." This photograph was taken in August 2017.
Photograph of Brackett's bust of John Brown showing a 3D-printed plastic replacement nose. With the plastic nose, conservators were able to make a cast and then a new plaster nose. This photograph was taken in 2016 as the bust was being restored.
Attribution:
Brackett, Edward Augustus
Attribution Statement:
Image courtesy of the Tufts University Permanent Collection
A tech from 3D Printsmith 3D-scanning both the damaged bust of John Brown and an undamaged plaster copy from the Boston Athenaeum. This was done in order to prepare an exact, 3D-printed copy of the nose and eyebrow for the damaged bust. This photograph was taken in May 2016.
Attribution Statement:
Image courtesy of the Tufts University Permanent Collection
Photograph of Brackett's bust of John Brown showing damage to nose and eyebrow. This photograph was taken in May 2016 prior to the bust's complete restoration.
Attribution:
Brackett, Edward Augustus
Attribution Statement:
Image courtesy of the Tufts University Permanent Collection
Statue of Charles Sumner by Anne Whitney, 1900, located in General MacArthur Square near Harvard Square, Cambridge, MA. The design for the sculpture had originally been submitted for a competition in Boston and had won. However, when the organizers found out the sculptor was a woman, they rejected her design and chose the install the statue designed by the runner up (this statue is now located in the Boston Public Garden). Whitney's friends later arranged to have the sculpture placed outside Harvard Yard. Photograph taken August 2017.
Grave monument for the George L. Stearns at Mount Auburn Cemetery in Cambridge, MA. The text reads, "George Luther Stearns. The virtues of this rare man were celebrated at this death by the eloquence of Emerson, and in the poetry of Whittier. An unexampled honor, in his time he sheltered the exiled Hungarians together with John Brown. He saved Kansas to freedom. Almost alone in 1863 he organized the colored regiments, which turned the scale in favor of the Union cause. He expended a fortune in public and private benefactions." Photograph taken in August 2017.
A list of objects to be delivered to Fine Arts Express by the Tufts University Gallery in September 1998. The first two in the list are the busts of John Brown and George L. Stearns, at that point identified only as "Bust of a bearded man" and "Bust of a man."
Attribution Statement:
Courtesy of the Tufts University Permanent Art Collection
Reverse of the Robert Gould Shaw and 54th Massachusetts Regiment Memorial in Boston. The text reads, "To the Fifty-fourth Regiment of Massachusetts Infantry The White Officers taking life and honor in their hands cast in their lot with men of despised race unproved in war and risked death as inciters of servile insurrection if taken prisoners besides encountering all the common perils of camp march and battle. The Black Rank and File volunteered when disaster clouded the union cause served without pay for eighteen months till given that of white troops faced threatened enslave- ment if captured were brave in action patient under heavy and dangerous labors and cheerful among hardships and privations. Together they gave to the nation and the world undying proof that Americans of African descent possess the pride courage and devotion of the patriot soldier. One hundred and eighty thousand such Americans enlisted under the union flag in MDCCCLXIII–MDCCCLXV." This photograph was taken in August 2017.
Letter from Tufts College president Leonard Carmichael to George R. Sands & Son, a conservator in Cambridge, 1950. It was this letter that allowed Tufts University Art Registrar Laura McDonald to put two and two together and realize the noseless bust was that of John Brown. The letter reads, "Gentlemen: Tufts College has a marble bust of John Brown, sculptured by Edward A. Brackett. Some time ago in an accident the nose was broken on this bust. Would it be possible for someone in your organization using contemporary photographs of John Brown to prepare a new nose that could be cemented to the bust? If this is feasible, would you be willing to indicate the cost of your work? Very truly yours, Leonard Carmichael"
A handwritten note dated May 4, 1977, stating that the bust of John Brown may have been stolen in 1952. There are no records on this, but it is likely the bust was simply misplaced.