Cabinet card featuring the John Brown bust owned by Mary E. Stearns. The photograph used for the card was printed by W. Shaw Warren of Cambridgeport, Cambridge, MA.
Attribution:
Warren, W. Shaw
Attribution Statement:
The Miriam and Ira D. Wallach Division of Art, Prints and Photographs, Photography Collection, The New York Public Library
Graves monument for Reverend Hosea Ballou at Mount Auburn Cemetery in Cambridge, MA. It was sculpted by Edward Augustus Brackett. This photograph was taken in August 2017.
Statue of Charles Sumner by Anne Whitney, 1900, located in General MacArthur Square near Harvard Square, Cambridge, MA. The design for the sculpture had originally been submitted for a competition in Boston and had won. However, when the organizers found out the sculptor was a woman, they rejected her design and chose the install the statue designed by the runner up (this statue is now located in the Boston Public Garden). Whitney's friends later arranged to have the sculpture placed outside Harvard Yard. Photograph taken August 2017.
Grave monument for the George L. Stearns at Mount Auburn Cemetery in Cambridge, MA. The text reads, "George Luther Stearns. The virtues of this rare man were celebrated at this death by the eloquence of Emerson, and in the poetry of Whittier. An unexampled honor, in his time he sheltered the exiled Hungarians together with John Brown. He saved Kansas to freedom. Almost alone in 1863 he organized the colored regiments, which turned the scale in favor of the Union cause. He expended a fortune in public and private benefactions." Photograph taken in August 2017.
Letter from Tufts College president Leonard Carmichael to George R. Sands & Son, a conservator in Cambridge, 1950. It was this letter that allowed Tufts University Art Registrar Laura McDonald to put two and two together and realize the noseless bust was that of John Brown. The letter reads, "Gentlemen: Tufts College has a marble bust of John Brown, sculptured by Edward A. Brackett. Some time ago in an accident the nose was broken on this bust. Would it be possible for someone in your organization using contemporary photographs of John Brown to prepare a new nose that could be cemented to the bust? If this is feasible, would you be willing to indicate the cost of your work? Very truly yours, Leonard Carmichael"