Shipwrecked Mother and Child, a well-known and controversial marble sculpture by Edward Augustus Brackett, 1851. The piece was inspired by the drowning of renowned feminist and transcendentalist Margaret Fuller and her family off of Long Island in 1850.
Attribution:
Brackett, Edward Augustus
Attribution Statement:
Courtesy of the Worcester Art Museum, Gift of Edward Augustus Brackett.
A page from the 1937 inventory of artworks at Tufts College, showing that the busts of John Brown and George L. Stearns were on display in the Eaton Library.
Cabinet card featuring the John Brown bust owned by Mary E. Stearns. This cabinet card was printed by Litchfield Studios in Arlington, MA. A handwritten note on the back of the card reads, "John Brown. From the Bust taken while awaiting Execution in the Virginia Prison, by order of Mrs. George L. Stearns, October 1859. This is the only marble Bust of the Martyr, at present writing - 1919 - in the world. It was only secured by the earnest entreaty of Mrs. Stearns, for whom, and his faithful friend Mr. Stearns, he cherished warm regard. E. A. Brackett, Sculptor."
The busts of John Brown (by Edward A. Brackett) and George L. Stearns (by Samuel Morse) on display in the Tisch Library. Photograph taken August 16, 2017.
Graves monument for Reverend Hosea Ballou at Mount Auburn Cemetery in Cambridge, MA. It was sculpted by Edward Augustus Brackett. This photograph was taken in August 2017.
Bronze relief by Augustus Saint-Gaudens commemorating Colonel Robert Gould Shaw and the 54th Massachusetts Infantry Regiment, the first formally recognized black regiment in the Union. The Memorial is borders the Boston Common and Beacon Street across from the front steps of the Massachusetts State House in Boston. The memorial took the artist 13 years to complete. It was dedicated on May 31, 1897. Visible in the upper corner are the Latin words "Omnia relinquit servare rempublicam," which translates to "He relinquished everything to serve the Republic." This photograph was taken in August 2017.
Photograph of Brackett's bust of John Brown showing a 3D-printed plastic replacement nose. With the plastic nose, conservators were able to make a cast and then a new plaster nose. This photograph was taken in 2016 as the bust was being restored.
Attribution:
Brackett, Edward Augustus
Attribution Statement:
Image courtesy of the Tufts University Permanent Collection
A tech from 3D Printsmith 3D-scanning both the damaged bust of John Brown and an undamaged plaster copy from the Boston Athenaeum. This was done in order to prepare an exact, 3D-printed copy of the nose and eyebrow for the damaged bust. This photograph was taken in May 2016.
Attribution Statement:
Image courtesy of the Tufts University Permanent Collection
Photograph of Brackett's bust of John Brown showing damage to nose and eyebrow. This photograph was taken in May 2016 prior to the bust's complete restoration.
Attribution:
Brackett, Edward Augustus
Attribution Statement:
Image courtesy of the Tufts University Permanent Collection